Bruce Campbell Net Worth, Bio, Wiki, Age, Height & Weight

Wealth Stats and More

What’s Bruce Campbell's net worth? How wealthy is he? Below are all stats like net worth, salary, profession, and more!

Bruce Campbell Wealth Info
Net Worth$10 Million
SalaryN/A
Date of BirthJune 22, 1958 (age 64 years)
GenderMale
Height6 ft (1.85 m)
ProfessionActor, Author, Film director, Film Producer, Television Director, Television producer, Voice Actor, Writer
NationalityUnited States of America

Net Worth of Bruce Campbell

Bruce Campbell net worth and salary: Bruce Campbell is an American actor, director, and writer who has a net worth of $10 million. Bruce Campbell is probably best known for his appearances in a variety of cult classic films, such as the Evil Dead series, Crimewave, CManiac Cop, and more. On television he has been seen on Xena: Warrior Princess and USA’s Burn Notice, while lending his voice acting skills to Cloudy with a Chance of Meatballs and Cars 2. Campbell hails from Michigan, where he was born in 1958. He began acting as a teenager, as well as making short films. He has since become a writer, actor, and director, taking part in various aspects of the film process. His writing start came in 2002 when he published his autobiography, If Chins Could Kill: Confessions of a B Movie Actor, which earned a spot on the New York Times Best Seller list. His follow up book, Make Love! The Bruce Campbell Way was published in 2005. He has been married twice. First to Cristine Deveau in 1983, with whom he had two children, Rebecca and Andy. The couple divorced in 1989. He is now married to costume designer, Ida Gearon, with whom he lives in Jacksonville, Oregon. More recently he has starred in the Starz show Ash vs Evil Dead.

Bruce Campbell Quotes

How is it that Bruce Campbell has a net worth of $10 Million? These quotes by the Actor may indicate the character traits that led to his financial situation:

I see parody as another form of comedy.

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A cult classic is one that has been fully embraced by an alternative audience, not the popular audience.

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My father was in the ad business, and he wanted to be a painter.

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I’m not interested in making a $60-million studio film with a bunch of 24-year-olds telling me what to do.

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Any time a writer thinks he has all the answers to how someone should talk or react or end a scene, it’s a spontaneity-killer.

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